In most movies, it’s a narrative with a love story, and this just happens to be a same-sex story,” Page reflects. “We have, like most movies, these narratives that parallel each other. I think that to label it a ‘gay movie’ is the way that, as a female writer-director, I always try to get away from people saying, ‘It’s a female movie.’ I think that’s ostracizing in some way.”ĭiscussing the film, Page continued this conversation, examining the difference between celebrating projects with queer characters and trying to place such projects in a box. “Whether they’re gay or straight, the humanness of the story is the most important thing. “I think the most interesting thing to me about the film, personally, is that doesn’t see it as an issue-driven thing, but I think the most important thing, and something I strive for in my work as a writer and director, as well, is creating full characters, and they just happen to be gay,” Seimetz says. Starring Page as the daughter of a man on death row who falls in love with a woman (Mara) on the opposing side of her family’s political cause, the film isn’t issue-driven, or a “gay film”-rather, it’s a compassionate, nuanced human drama about characters who happen to share the same sex, the sort of story that is needed in times of extreme political division. “ just really wanted to work together, so we thought, We’re not necessarily being sent any offer right this second to work together, so let’s just make it happen on our own, and producing seemed like the obvious way of making that happen quickly.” “The script had been around eight years the movie wasn’t really necessarily going to get made,” Mara explains. Ellen Page & Kate Mara Share An Undeniable Attraction In 'My Days Of Mercy' Clip - Toronto
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